Apparent or not, these pieces were all born of the land. They illustrate a period of intense soul searching and growth that could only take place in the embrace of this place I had come to trust.
The Dark Horse Series
There was also a small herd of horses pastured on the four acres in front of my house. They were rather skittish at first but, slowly, we got to know each other. Then, in the middle of what could only be called a blizzard, a little one was born. I saw her with her mama just after the sun came up. This wasn’t good.
New Mexico Isn’t for Sissies
… when a local artist accused me of painting wallpaper, I had my first glimpse of raising the bar. Welcome to New Mexico kid! The home of the big boys and truly exceptional art.
An Uncomfortable But Compelling Push-Pull
… it was with some incredible hubris, if not utter disrespect, that I’d made these plans. I knew nothing about Truchas–its rich and complicated history, its heritage, its people, its simple AGE (the village was founded in 1754).
Of Transitions and the Place Between
A birthing that necessitated pain, as all birth does, was taking place and I was in it. I was coming into ME. And my paintings reflected all of it–the growth, the pain and the confusion.
Stripped Down and Broken Open: Giving Birth to Art
… this is where I caught my first true glimpse of me. THIS is where the abstracts were born. But I wouldn’t fully understand it until this very moment as I write it out to you.
Why Aren’t My Paintings PRETTY For God’s Sake?
There is a real story to tell–about where I was as an artist BEFORE I came to Truchas and AFTER Truchas. It is a story of fences and horses and grasses and how they changed me.