But something vital I’ve come to know is this: no matter how hard it is to hold on sometimes, we are not disposable. Our selves, our dogs, our relationships, are not to be shunted aside when they become too difficult.
What We Do For Love
Guy started “THE Magazine” twenty-three years ago because he had a mother who took him around to all the galleries and museums in New York City when he was growing up and he came to appreciate art and artists. He wanted to create a place where they would be intelligently and objectively reviewed, where the reader would be exposed to and engaged by a spirit of adventure and new ideas…
A Journey to Rociada
… and standing in the middle of that street, with no traffic, in the midst of all those abandoned buildings, the mercantile and houses, it was so quiet… It was almost as if I was sensing the silent footprints of a world now out of fashion.
Sigh
This fear feels so old. Its birthing place nestled within the ancient history of man I’m thinking. We all must carry it, some sort of constantly on-guard defense system that will make us ready when the inevitable strike comes.
Stripped Down and Broken Open: Giving Birth to Art
… this is where I caught my first true glimpse of me. THIS is where the abstracts were born. But I wouldn’t fully understand it until this very moment as I write it out to you.
An Uncomfortable But Compelling Push-Pull
… it was with some incredible hubris, if not utter disrespect, that I’d made these plans. I knew nothing about Truchas–its rich and complicated history, its heritage, its people, its simple AGE (the village was founded in 1754).
Living a Life of Abstraction
So I make my paintings, influenced by the rich tradition of those who went before me, works made possible by the sacrifices required of revolution, by great artists breaking new ground. I think those artists live on, not only in their own works they left behind, but in the works of those of us who call ourselves abstractionists… the ground they broke is still bearing fruit.
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